基于一个关于“爱德华·莫德雷克”（Edward Mordrake）最后日子的世纪之交“真实”故事。

Edward, an AI scientist, realizes that the program he developed has been applied to military weapons and caused many deaths.

This is Su Zhong's second VR project, which combines imagery, dance and installation to create a kind of dialogue. It is an attempt at a directorial approach that falls somewhere between film and theatre. All of the scenes are taken from the paintings of Edward Hopper.

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Edward Hopper (1882 - 1967) is one of the best known and most admired of American artists. He found poetry in quiet, private moments set in unexceptional places, such as anonymous hotel rooms, diners (Nighthawks), gas stations, and traditional houses. Within these urban or small-town spaces, Hopper created iconic images of American life that present us with the possibility of narrative, but ultimately remain enigmatic. Rather than depict a specific story, they suggest a universal, shared experience. This film traces Hopper's varied influences, from French impressionism to the gangster films of the 1930s. The documentary uses archival photos and film, specially shot footage of locations painted by Hopper in New York and the New England coast, and interviews with artists Eric Fischl and Red Grooms, scholars, and curators. Narrated by Steve Martin

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The nightclub "TransNight" opens while mysterious trans murders happen in São Paulo.

Spring 1991: queer life is under attack in Britain, and Derek Jarman is turning Edward II into a radical protest film. Told through unseen behind-the-scenes footage, this is a story of the power and cost of queer visibility — then and now.

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